#CAVES FRANCE DORDOGNE SERIES#

Two sites (La Mouthe and La Madeleine) are completely inaccessible to the public. Twelve of the 15 listed sites are open to a limited number of visitors per day (in most cases less than 100 per day). The same book then lists 7 masterpieces of prehistoric art, including Lascaux, Les Combarelles and Font de Gaume. Desmond Collins and Lydie Huyghe, 'Historical Summary: Prehistoric Art', Larousse Encyclopedia of Prehistoric & Ancient Art (Second edition, 1970)

#CAVES FRANCE DORDOGNE SERIES#

In particular the occupation sites of a short stretch of the Vézère valley in the Dordogne département have revealed a series of superimposed culture strata sometimes totalling many feet thick, which have enabled a sequence of culture types to be established. The importance of the region as a centre of paleolithic activity and art is explained in the ' Larousse Encyclopedia of Prehistoric & Ancient Art':įor reasons not entirely understood, but most probably related to a unique abundance of game, the richness of glacial age occupation in certain valleys of south-west France is unparalleled elsewhere and these people were the finest artists. The cave of La Mouthe was the first cave in the Vézère region where decorations were discovered, but only with the double discoveries at Font-de-Gaume and Les Combarelles in 1901 was the debate finally settled.

The late 19th century discoveries of first the Chabot cave (in 1879), Cave of Altamira (in 1880) and Pair-non-Pair (in 1881) were widely discussed, but no definite proof of their ancient origin was generally accepted.

The decorated caves in the region were instrumental in ending the debate about the nature of prehistoric art, which was still considered by many to be modern fakes. Many of the sites were discovered or first recognised as significant and scientifically explored by the archaeologists Henri Breuil and Denis Peyrony in the early twentieth century, while Lascaux, which has the most exceptional rock art of these, was discovered in 1940. Furthermore, the Cro-Magnon rock shelter gave its name to the Cro-Magnon, the generic name for the European early modern humans. Three of the sites are the namesakes for prehistoric periods the Micoquien (named after La Micoque), Mousterian (after Le Moustier), and Magdalenian (after Abri de la Madeleine). This valley is exceptionally rich in prehistoric sites, with more than 150 known sites including 25 decorated caves, and has played an essential role in the study of the Paleolithic era and its art. It specifically lists 15 prehistoric sites in the Vézère valley in the Dordogne department, mostly in and around Les Eyzies-de-Tayac-Sireuil, which has been called the 'Capital of Prehistory'. The Prehistoric Sites and Decorated Caves of the Vézère Valley is a UNESCO World Heritage Site in France since 1979.

Print.Location of Prehistoric Sites and Decorated Caves of the Vézère Valley in France ' A Geophysical Tool for the Conservation of a Decorated Cave – a Case Study for the Lascaux Cave.' Archaeological Prospection 22.4 (2015): 283–92. Heyd, Thomas and John Clegg: Ashgate, 2005. ' Evolutions of Lascaux.' Aesthetics and Rock Art. Étude De La Technique De L'artiste Par Analyse Des Pigments.' L'Anthropologie 110.4 (2006): 482–99.

' Le Groupe Des « Bisons Adossés » De Lascaux. ' Assessment of Fungi Proliferation and Diversity in Cultural Heritage: Reactions to Uv-C Treatment.' Science 647 (2019): 905–13. ' The Archaeology of Lascaux Cave.' Scientific American 246.6 (1982): 104–13. 'Art Paléolithique, Saisons Et Climats.' Comptes Rendus Palevol 5.1–2 (2006): 203–11.

' Structure of Melanins from the Fungi Ochroconis Lascauxensis and Ochroconis Anomala Contaminating Rock Art in the Lascaux Cave.' Scientific Reports 7.1 (2017): 13441. ' Lights and Shadows on the Conservation of a Rock Art Cave: The Case of Lascaux Cave.' International Journal of Speleology 38.55–60 (2009). Bastian, Fabiola, and Claude Alabouvette.

Caves france dordogne